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Got this email from a reader in Canada a few weeks back:

Writers in my market are noticing a trend towards clients hiring low-cost writers, mostly journalism students from the local college. Journalism has been pretty much wiped out here so there’s been a huge increase in these writers. We’ve also noticed several big clients are now offering minimum wage for copywriting positions. So there’s pressure.

A few of us “senior” writers have been talking about collaborating on some sort of marketing strategy based on selling a higher-quality writing service. The general idea is not to compete directly against the will-write-for-food crowd, but to become the go-to writers for clients by offering a consistent, professional and accountable service.

I’ve partnered with another writer to offer this service to a client whose reputation may have suffered some by hiring cheap writers. What we’re seeing with these cases are things like websites with glaring typos, businesses with poor Google results, etc. Are the clients noticing this? Maybe. Is it damaging their reputation in the marketplace? Probably.

While this idea of ours looks positive, the question is this: Do you know of anyone else who has tried this strategy, and have you seen what works and what doesn’t?

At first blush, a little disturbing, but I’m not at all sure we’re comparing apples to apples. Here’s my thinking on this…

I haven’t been seeing this trend personally, but I’m sure it’s happening. The key question: What sorts of copywriting projects are these writers being asked to do?

I ask this because a journalism student from a local college will, in no way shape or form, know their way around good, effective marketing copywriting.

And hiring cheap writers will reliably yield the unreliability he mentions. I can certainly see cheaper freelancers being able to write passable-looking “content” like white papers, case studies, blog posts, etc.—given their more “article” nature.

Commercial Writers Do It Better
Needless to say, a copywriting pro would render those content projects far better, while their versions of ads, direct mail, brochures, landing pages, etc., will be infinitely better, more effective, and far more likely to pay for themselves many times over, than anything a cheaper writer might deliver.

It’d be interesting to get into the heads of these writing buyers. Maybe they know they’ll be trading off some quality for the lower wages paid. But they’d only do that if they truly believed that what these bargain-basement scribes deliver is all they really need.

Don’t Know Good Writing (or Writers)
After all, these clients have already proven they don’t understand the value professional writers bring, so they’re just as unlikely to be able to recognize good writing when they see it, and be happier with inferior stuff.

In the long run, I suspect those same clients, if they start seeing that they’re losing out to companies who are investing more money in writers better equipped to deliver effective content—and general marketing copywriting—may end up doing the same themselves.

In answer to his specific question, I wrote:

If you feel you and your compadres ARE stronger marketing copywriters, that’s probably your best pitch. Yes, I’d also play the reliability, accountability and detailed-oriented (i.e., clean, error-free copy) cards, but I wouldn’t lead with those: Even though they’re exceptionally important, they sound a bit thin, compared to the effective marketing-copy angle.

That should have them thinking that they’re potentially losing far more money in sales, than they’re saving by hiring cheaper writers. And heck, why not make that part of your pitch?

Back to School?
Bottom line, If your prospecting hasn’t turned up enough “good” clients (i.e., those who understand the value people like us bring, and are willing to pay well for it)—and they’re certainly out there—you might need to do more educating of those clients who think, “Anyone can write.”

In many cases, clients don’t even realize there are writers like us (i.e., marketing copywriters). They just need a writer, and if they don’t have success with lower-budget ones, they’ll find a “better writer”—i.e., a more experienced journalist-type writer.

Let ‘Em Know Our Kind Exists
So, the marketing we do for our practices not only lets the world know that we—in particular—are out there, but just as importantly, that marketing copywriters like us, very different from the typical “freelance writer”—are out there.

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Have you noticed this trend in your market?

In your experience, do clients realize there are marketing copywriters out there, not just journalist-style “freelance writers”?

In your experience, do the prospects and clients you cross paths with know the difference a good marketing copywriter, and know what quality marketing writing looks like?

Ever had a client who just didn’t get what a good writer could offer, and your amazing copy rocked their world, and gave them a new appreciation for folks like us?

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How are your marketing-writing chops? Not sure? If you’re ready to BE sure, and truly separate yourself from the writing masses, check out my (rapidly-filling) Well-Fed Group Coaching series focused on “craft” and starting October 18. Full details and testimonials HERE.

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Want to be a guest blogger on TWFW Blog? I welcome your contribution to the Well-Fed writing community! Check out the guidelines here.

I got an email from a reader recently, spurred by one of my newsletter pieces (the “Appetizer” course of THIS issue). It’s a subject a bit different from the usual commercial freelancing fare on the blog, but thought it was worth running, given that it’s something any reasonably experienced commercial writer has no doubt encountered—whether a scenario like hers or one like mine.

She wrote:

Several years ago, a writing conference director sent an email inviting all to view the new conference website and let him know what we thought. I followed the link, and immediately saw a word had been left out of the first sentence. A few sentences below, the wrong verb tense had been used.

I emailed and suggested he might want to correct the mistakes. His reply? A glib comment about being in a hurry and no one else would catch the mistakes. Really? I had served on faculty for this conference a number of years so it wasn’t like I was unknown to the director. The next year, I was not asked back to teach at the conference and the director no longer speaks to me.

I had a similar experience with someone who was starting an editing service. He invited comments about his new website. In the first sentence on the site, he used the wrong verb tense. Another error, a wrong/mistaken use of a noun, was in the next paragraph. I emailed him, mentioning the errors.

His response: “Yeah, I asked my wife, and she said it supposed to be that way so I’m going with what she said.” Really? A startup editor is going with grammar errors on his editing site to please the wife? Needless to say, his editing business never got off the ground! He became the owner of a small press instead, which consistently publishes books with grammatical errors. No surprise there. And he ignores me when we happen to be at the same writing conferences.

What I’ve learned: Even when people invite critique, they really don’t want critique. They want validation for what they’ve done, whether correct or not, and view anything else as personal criticism. Folks are interesting!

In response, I shared a story of my own:

Reminds me of a lovely woman for whom I wrote a column many years ago, for her local monthly rag. A few years after I stopped writing for her, but while we still considered each other friends, she asked me to critique a novel she was working on. I said I would be happy to take a look, though quickly realized what a bind I had put myself in.

It wasn’t just bad, it was really, really bad. Incredibly clichéd, poorly written, poor character development, uninteresting, and most of it no better than a seventh grader’s essay. After getting her assurance that she really did want me to be honest, I was. I wasn’t brutal, but I made it clear I thought it needed a lot of work to get it to a viable stage.

She thanked me profusely for being honest, going on and on about how much she appreciated the input and feedback, and…I never heard from her ever again. Remember, we were far better than acquaintances, though perhaps less than good buddies, and we talked pretty regularly. But after that, we never talked again. So I hear you!

Ever been asked for feedback from a writer or friend?

How did you handle it?

If the writing wasn’t very good, and you were honest, how did they receive your feedback?

Any suggestions for dealing with situations like this?

Want to be a guest blogger on TWFW Blog? I welcome your contribution to the Well-Fed writing community! Check out the guidelines here.